ISSUE 1


Letter from the Co-Editors

BY BEN BARRY AND ALISON MATTHEWS DAVID

Two years ago, we decided to stop lamenting the problems with the system of journal publishing in fashion and change it.

 
 
 
 

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Making Research: An Analysis of Arts-Based Practices in the Academic Process, A Case Study of Methods of Inscription

BY KETZIA SHERMAN

 

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The Several Lives of a Collection of Rag Dump Clothing from Normandy (190055): From Farm, to Dump, to Poverty Chic

BY LOU TAYLOR

 

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Fashion/Photo/FilmThe Intertextual Discourse of Funny Face (1956)

BY PAUL JOBLING

 

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Re-Dressing Race and Gender: The Performance and Politics of Eldridge Cleaver’s Pants

BY ART BLAKE

 
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Post No Bill: The Transience of New York City Street Style

BY BRENT LUVAAS

 

 
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Enclothed Knowledge: The Fashion Show as a Method of Dissemination in Arts-Informed Research

BY Ben Barry

 

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Body Doubles: The Origins of the Fashion Mannequin

BY ALISON MATTHEWS DAVID

 

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Behind the Scenes with Louise Dahl-Wolfe and Toni FrissellAlternative Views of Fashion Photography in Mid-Century America

BY REBECCA ARNOLD 

 

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An Interview with The Fashion Studies Journal

BY JACLYN MARCUS

 
 
 
 

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Ogling, Quizzing, and Spying: The Eyeglass

BY SUSAN VINCENT

 

  Flourishing Fashion:  An Interpretive Phenomenological Analysis of the Experience of Wearing a Happy Outfit  BY REBECCA SMITH AND JULIA YATES

Flourishing Fashion: An Interpretive Phenomenological Analysis of the Experience of Wearing a Happy Outfit

BY REBECCA SMITH AND JULIA YATES

 

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Figurative Mobility: Veiling, Orientalism, and Unknowing Women in US Vogue, 1917–25

BY ILYA PARKINS

 

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Let My Hair Be MeAn Investigation of Employee Authenticity and Organizational Appearance Policies Through the Lens of Black Women’s Hair

BY TINA OPIE

 

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A Fashion Exhibit Without Fashion

BY JENNIFER AYRES