Fashion Studies Network:


Events

 

E/Spaces in Fashion


About the Symposium

We are pleased to announce the second Fashion Studies Network Symposium, hosted by the Masters of Fashion program at Toronto Metropolitan University. The symposium will take place on Thursday, May 28th and Friday, May 29th, 2026.

The field of fashion is composed of numerous spaces—physical and digital spaces; making, consuming and performing spaces; neocolonial and decolonial spaces. The history of fashion is informed by space and its politics: fashion cities, sacrifice zones, extraction geographies, centres and peripheries. Being in fashion is to have fashion impose itself on bodies and spaces through issues of access and acceptance. However, fashion is also a tool to drive change, assert non-normative ideas, symbolize rebellion, and dress resistance. Through these acts, fashion creates various spaces and is instrumental in their improvement.

For this bilingual graduate symposium, we have welcomed submissions in both English and French that explore these “E/Spaces in Fashion.” This symposium will inspire the next student-led special issue of Fashion Studies, scheduled for publication in June, 2027.

Stay tuned, as attendee registration will be opening soon!


Provisional Schedule / Programme provisoire

School of Fashion, Toronto Metropolitan University

40 Gould St, Toronto, ON M5B 2K3


Day 1: Thursday, May 28 / Jour 1 : jeudi 28 mai

0830-0930: Registration / Inscription

  • Room / Salle : Fashion Board Room, Kerr Hall South 148

  • Coffee, tea, and light refreshments provided. / Café, thé et rafraîchissements offerts.


0930-1000: Opening Remarks / Discours d’ouverture

  • Room / Salle : MA Studio

  • Joseph Medgalia, Toronto Metropolitan University


1000-1120: Panels 1 & 2 / Ateliers 1 et 2

Panel 1 / Atelier 1 - Decolonial Orbits: Fashion Beyond the Centre / Trajectoires décoloniales : La Mode au-delà du centre

Chair / Présidence : Riley Kucheran, Toronto Metropolitan University

Room 1 / Salle 1 : Illustration Studio

  • Building the Futures We Remember: Toward a Decentered Architecture of Fashion - Antoinette Alba, Parsons Paris

  • The Politics of Space and Mobility in Jet Age Fashion Photography - Weerada Muangsook, University of St Andrews

  • Consumer Behaviour in West Africa - Ousainou Gaye, Erasmus University, Rotterdam school of Management

Panel 2 / Atelier 2 - Crafting Value: An Exploration of Tradition, Technique and Innovation / Quand l’artisanat crée la valeur: tradition, techniques et innovation

(This panel will be presented in person and online via Zoom / Cet atelier sera présenté en personne et en ligne via Zoom)

Chair / Présidence : Hilary Davidson, FIT

Room 2 / Salle 2 : MA Studio

  • Sequins and Scars in the Archive - Amelia June Ferguson, Toronto Metropolitan University

  • Constructing Identity through Textile Exploration: An Arts-Based Inquiry into Indian Textile Practices and Embodied Knowledge - Kanishka Kumar, Toronto Metropolitan University

  • Vintage as Usable Past: Identity, Memory, and Fictive Ancestry in Contemporary Fashion Culture (online) - Ekaterina Vorobei, The American University of Paris


1140-1300: Panels 3 & 4 / Ateliers 3 et 4

Panel 3 / Atelier 3 - Breaking the Algorithm: Viral Critiques / Déjouer les algorithmes : critiques virales

Chair / Présidence : Kimberly Wahl, Toronto Metropolitan University

Room 1 / Salle 1 : Illustration Studio

  • E/Spaces as Fields of Negotiation: Legitimacy and Identity in Contemporary Luxury Fashion - Wiktoria Sznura, Sapienza University of Rome

  • The Other Side of TikTok: The Connection between Racism and Fashion in Social Media - Lauren Bell, Fashion Institute of Technology

  • Researching Muslim Fashion Images - Laura Haddad, Georg-August-university Goettingen

Panel 4 / Atelier 4 - Fabrics of Time: Museums, Memory and Material Culture / Les Tissus du temps: musées, mémoire et culture matérielle

(This panel will be presented in person and online via Zoom / Cet atelier sera présenté en personne et en ligne via Zoom)

Chair / Présidence : Nadia Bunyan, Concordia University

Room 2 / Salle 2 : MA Studio

  • Threads of History: Women’s Textile Art in Danish Museums since 1900 (online) - Laura Melani, Independent Research

  • Dressing the Absent Body: Interpreting Atayal Fashion through Mounting and Silhouette (online) - Viviane Wei An Chen, Viviane Chen Studio

  • Corps parés, territoires négociés : l’orfèvrerie amazighe de Tiznit entre ancrage local et circuits globalisés (online) - Majda Meftahi, Laboratoire d’Études et de Recherches sur l’Interculturel/ Université Chouaib Doukkali


1300-1400: Lunch / Déjeuner

There are a number of options in the area. / Il y a de nombreuses options dans le coin.


1400-1500: Panel 5 / Atelier 5

Panel 5 / Atelier 5 - Forward Thinking? Decoding Tech in Fashion Spaces / Une Vision avant-gardiste ? Décrypter la technologie dans les espaces dédiés à la mode

(This panel will be presented in person and online via Zoom / Cet atelier sera présenté en personne et en ligne via Zoom)

Chair / Présidence : Sophia Zavarella, Toronto Metropolitan University

Room 2 / Salle 2 : MA Studio

  • Trends and Digital Humanities: New Pathways for Fashion through Artificial Intelligence and 3D Simulation (online) - Macivaldo Santos, Universidade Estadual de Santa Catarina

  • Advertising as Afrofuturism: Imagining Fashion Marketing through AI - Dominique Norman, Marymount Manhattan College and Fashion Institute of Technology


1600-1700: Provocation

Can Fashion Exist Without Touch? - Led by Nithikul Nimkulrat, OCAD University, Hosted by Fashion Arts Toronto

  • Location / Lieu : 251 Queens Quay East, 10th Floor

  • As fashion and other art and design disciplines expand into digital and hybrid environments, they increasingly detach from one of their most fundamental conditions: touch. What remains of fashion when tactility is simulated, deferred, or absent?

    This provocation interrogates the sensory foundations of fashion by examining the growing gap between embodied material experience and its digital translations. It asks how making—through handling, resistance, and negotiation with materials—generates forms of knowledge that cannot be fully captured by visual or computational systems. Rather than assuming digital expansion as enhancement, the provocation questions whether it produces a sensory deficit. Can fashion be meaningfully experienced without touch, or does the loss of tactility require new ways of thinking, making, and knowing?


1700: Mix & Mingle / Réception

  • Location / Lieu : 251 Queens Quay East, 10th Floor, Fashion Arts Toronto

  • Free entry for symposium attendees, cash bar.

  • Special rate for symposium participants to attend Fashion Arts Toronto fashion shows.


Day 2: Friday, May 29 / Jour 2 : vendredi 29 mai

930-1050: Panels 6 & 7 / Ateliers 6 et 7

Panel 6 / Atelier 6 - Race, Erasure, and Resistance / Race, effacement et résistance

Chair / Présidence : Christian Gines, Parsons, The New School

Room 1 / Salle 1 : Illustration Studio

  • Made Up Archive: A Digital Approach to Studying Makeup - Camille Wise, Brown University

  • Dressing for Success: How Women of Colour Navigate Professional Appearance & Identity in the Workplace - Poppy Martinez, Drexel University

  • Beyond the Box: How Enslaved Black People in the American South Subverted Sumptuary Laws - Savannah Bryant, Fashion Institute of Technology

Panel 7 / Atelier 7 - Liminal Silhouettes: Frontiers of the Body / Silhouettes au seuil: Les Limbes du corps

Chair / Présidence : Yasmine Kanso, Toronto Metropolitan University

Room 2 / Salle 2 : MA Studio

  • Hanfu as a Decolonial E/Space: Negotiating Identity and Body in the East Asian Cultural Ecosystem - Chenshuo Li, University of Alberta

  • Breast Dressed: A Sociological Approach to Breast Garment Design and Pedagogy - Alyssa Lutrin, Toronto Metropolitan University

  • « Tien toy brodé d’or et de pierrerïe ! » Le corps aulique, corps utopique ? - Tristan Fourré, Nantes Université


1145-1315: Actions / Activités

Studio Visit / Visite de studio (materials fee $20 per person)

Marbled Faces, Community Spaces

  • Sabine Spare, Chroma Colour Textiles Studio

  • Location / Lieu : 52 St Lawrence St. #317, Toronto

Workshop / Atelier (no cost)

From Draft to Publication: A Guide to Publishing in Academic Journals (Workshop + Q&A)

  • Carlea Blight, Toronto Metropolitan University and York University

  • Room 2 / Salle 2 : MA Studio

Site Visit / Visite de site (no cost)

A Garden of Colour & Thread

  • Rachel MacHenry, School of Fashion TMU

  • Location / Lieu : 245 Church St., Toronto (Rooftop)

Screening / Visionnement (suggested donation)

Re.Stance Collective Film Screenings: Entangled Temporality — A Love Letter to Gaia

  • Location / Lieu : The Catalyst, 80 Gould Street, Toronto, ON


1315-1400: Lunch / Déjeuner

There are a number of options in the area. / Il y a de nombreuses options dans le coin.


1400-1550: Panels 8 & 9 / Ateliers 8 et 9

Panel 8 / Atelier 8 - Deconstructing the binary: Redefining fashion through inclusion / Déconstruire le binaire: Redéfinir la mode par le biais de l’inclusion

(This panel will be presented in person and online via Zoom / Cet atelier sera présenté en personne et en ligne via Zoom)

Chair / Présidence : Patrick Taylor, Collections Specialist at The Arquives

Room 1 / Salle 1 : Illustration Studio

  • Pour Femme: The Gendering of Fragrance in the Nineteenth Century - Alex Tremblay, Fashion Institute of Technology

  • Dressing to Speak: Becoming Someone Else across Private and Public Space in Iran (online) - Shadan Bagherian, Sapienza University of Rome

  • “Clothes Make the Woman”: Exploring Representations of Cross-Dressing and Impersonation in the Pages of Female Mimics, 1963-1970 - Nico Frederick, Fashion Institute of Technology

  • Travels In Hyperfemininity: The Play of Ambiguity in Fashion (online) - Nuno Nogueira and Inês Simoes, University of Lisbon

Panel 9 / Atelier 9 - Making the Renaissance: New Fashion Spaces / Construire la renaissance: Les Nouveaux espaces de mode

(This panel will be presented in person and online via Zoom / Cet atelier sera présenté en personne et en ligne via Zoom)

Chair / Présidence : Michons Gutnik, OCAD University

Room 2 / Salle 2 : MA Studio

  • The Uncovering Dressmakers Project - Madeline Snowden, Toronto Metropolitan University

  • Fashioning Alternative Spaces: Creative Hubs and Sustainable Practice in Prato’s Textile District (online) - Arianna Moroder, Lottozero textile laboratories

  • The Heirloom as Method: Reimagining Fashion Futures through Care and Generational Time - Sasha de Koninck, Northeastern University

  • The d_archive (online) - Martina Ponzoni, d_archive


1550-1610: Coffee Break / pause café

Room / Salle : Fashion Board Room, Kerr Hall South 148


1610-1730: Panels 10 & 11 / Ateliers 10 et 11

Panel 10 / Atelier 10 - Homegrown: Questions in Canada / D’Origine locale : questions au Canada

Chair / Présidence : Rebecca Halliday, University of Victoria

Room 1 / Salle 1 : Illustration Studio

  • Future Artifacts: Flax as a Future-Making Material - Charlotte Little, Toronto Metropolitan University

  • Showcasing Toronto Fashion through Fashion Week - Samantha Hartmann, Parsons Paris - The New School

  • Constraints and Opportunities for Critical Fashion Curation in Canada - Amanda Zhang, Concordia University

Panel 11 / Atelier 11 - The Seams of Empire: Patterns of Power / Les Coutures de l’empire: Modèles de pouvoir

(This panel will be presented in person and online via Zoom / Cet atelier sera présenté en personne et en ligne via Zoom)

Chair / Présidence : TBD / À déterminer

Room 2 / Salle 2 : MA Studio

  • Minority Fashion in Diaspora: Comparisons between Jewish and Christian Women’s Dress in Historic Poland (online) - Elena Solomon, University of Manchester and University of Bar Ilan

  • Sinocentrism in East Asia in Fashion - Jonathan Lee, Toronto Metropolitan University

  • Fashion as a Site of Power: Gender, Beauty, and Colonial Afterlives in Pakistan - Muhammad Umer Rehman, Indus Valley School of Art and Architecture


1740-1800: Closing Remarks / Remarques Finales

  • Room / Salle : MA Studio

  • dr. nigel lezama, School of Fashion, TMU


2000-0100: E/Spaces X Re.Stance Closing Party

Location / Lieu : The Combine - 225 Wellington St. West, Toronto, ON

Special rate for symposium participants.


Sunday, May 31 / Dimanche 29 mai

Partner Events: Re.Stance at The Textile Museum of Canada

Location / Lieu : 55 Centre Ave, Toronto, ON

Registration Fee of $5.00 for panels and materials fee of $40.00 for workshop.

  • Panel 1: Ancestral Threads (1:00 - 1:45 PM)

  • Panel 2: Living Systems (1:45 - 2:30 PM)

  • Panel 3: Future Fabrics (2:30 - 3:15 PM)

  • Wet Felting Basics (1:00 - 4:00 PM)


 

Past Events


About the Symposium

The Fashion Studies Network (FSN) is a collaborative scholarly community focused on sharing innovative research, methodologies, and practices in the field of fashion. Founded in 2023 and led by the School of Fashion at Parsons School of Design – the New School and the Masters of Fashion program at Toronto Metropolitan University, this network is focused on developing connections between fashion-focused New York City and Toronto graduate students, community members, and educational- and cultural-centered institutions. A bi-annual symposium hosted by FSN institutional members is a key goal of the network, resulting in an evolving creative space where innovative research can be shared, conversations can be had, and new connections between communities can be made.

The fashion system's processes of production, circulation, consumption, and expulsion weave stories begging to be told and important lessons to be learned. While the worst cases expose the domination and exploitation prevalent within the industry, there are also inspiring instances of sustainability, equity, and decolonization gaining visibility and momentum as we strive to make fashion a safer and more accessible creative space. Textiles and the garments they construct serve as the physical manifestation of diverse communities' histories, communities, and politics, working to both expose and disrupt oppressive dominant ideologies and provide a means of embodied self-expression. Our upcoming graduate symposium "Unravelling Fashion Narratives" will feature a wide range of panelists investigating fashion from all angles. Alternative fashion narratives will be explored through the lenses of curatorial, material culture, fashion, and performance studies; as well as exhibited through the creations of dyers, weavers, and other makers in the field of fashion.

Potential topics include, but are by no means limited to:

  • Critiquing and challenging dominant narratives in fashion

  • Archival collections’, museums’ and curatorial stories

  • Decolonial perspectives in design and representation

  • Fashion reality vs. fantasy

  • Stories concealed and revealed by dress

  • Global dress and textile stories

  • Inclusion and accessibility in fashion and dress practices

  • Sustainability in micro and macro practices

  • Threads of identity and dress

  • Fashion studies as an interdisciplinary field

  • Materiality

  • Personal and political narratives in dress

  • Dress history

We welcomed graduate students, makers, and artists from various backgrounds submitted to the field of Fashion Studies. Priority was given to students at institutions affiliated with the network.